{"id":1532,"date":"2008-12-28T00:32:20","date_gmt":"2008-12-27T15:32:20","guid":{"rendered":"https:\/\/fujimori.tokyo\/?p=1532"},"modified":"2025-08-06T16:52:55","modified_gmt":"2025-08-06T07:52:55","slug":"%e3%80%8c%e3%83%8d%e3%82%aa%e3%83%bb%e3%83%88%e3%83%ad1tp3-te3%83%94%e3%82%ab%e3%83%aa%e3%82%a2-%e3%83%96%e3%83%a9%e31-tp3t82%b8%e3%83%ab%e3%81%ae%e5%89%b5%e9%80%a0%e3%80%8d%e51tp3-tb1%95","status":"publish","type":"post","link":"https:\/\/fujimori.tokyo\/en\/blog\/1532\/","title":{"rendered":"Neo Tropic\u00e1lia: Brazilian Creativity\" Exhibition"},"content":{"rendered":"

I am Fujimori, the representative.<\/p>\n

The exhibition is being held at the Museum of Contemporary Art Tokyo,A special exhibition introducing contemporary art from Brazil<\/strong>Neo Tropic\u00e1lia - Brazil's Creative Power.\"<\/strong><\/a> I went to the exhibition<\/strong>The following is a list of the most common problems with the<\/p>\n

\"\"<\/a><\/p>\n

The colorful posters at this exhibition made me feel like I was in Brazil. I had been wanting to go to this exhibition for a long time, but it ended up being held at such an imminent time at the end of the year.
\nInstead, the museum was very empty on a weekday, allowing for a leisurely viewing.<\/p>\n

First, let me start with my impressions,Very interesting exhibition.<\/strong>The following is a list of the most common problems with the
\nAlthough many of the exhibits are hands-on (put on a cloth, put on headphones, and dance freely, for example), I was a bit fed up with the recent contemporary art exhibitions that relied too much on visual images! ), but as I was a little fed up with the recent contemporary art exhibitions that relied too much on visual images, I found that many of the works were simple and appealed to my senses, and there were not many works that were bizarre, unusual, erotic, or shocking in their expression.Brazil is said to have \"everything but ambition.<\/strong>I felt that the popular quality created a work that was open-minded in a positive sense, and I enjoyed it with a very refreshing feeling.<\/p>\n

One of my favorites was a writer named Mareppe.
\nI was very impressed with the works that brightened my heart with motifs of realistic expressions rolling around locally.
\nThe room where the works in the two photos below are exhibited was a particularly nice space.
\n\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

\u2191upUncle eating cloud<\/p>\n

The exhibition will end on January 12, but we hope you will find time to enjoy it.
\nThe concurrent \"Color Hunting Brazil\" exhibition by Dai Fujiwara + Issey Miyake Creative Room & Campana Brothers was also a very new proposal, with an attempt to create artworks by collecting colors found in Brazil's nature and cities, and a device using natural leaves as speakers. I also thought it was a very new proposal.
\nThe \"Daido Moriyama: Miguel Rio Branco Photography Exhibition\" was also held at the same time, and although I only had time to take a quick look at it, it was an exhibition that strongly induced me to travel to Brazil.<\/p>\n

Also, as for contemporary art exhibitions, there is a special exhibition of Indian contemporary art at the Mori Art Museum.Exhibition \"Chalo India - A New Era of Indian Art<\/a> I am also interested in the Brazilian exhibition, but they are offering a reciprocal discount with this Brazilian exhibition, so if you have a ticket stub from one of the exhibitions, you get a 2 discount on the other.<\/p>","protected":false},"excerpt":{"rendered":"

This is Fujimori, Representative Director. I visited the \"Neo Tropic\u00e1lia - Brazilian Creativity\" exhibition at the Museum of Contemporary Art Tokyo, which introduces Brazilian contemporary art. From the very colorful posters, I could feel the Brazilian atmosphere. I had been [...]...<\/p>","protected":false},"author":4,"featured_media":1535,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[3],"tags":[23],"class_list":["post-1532","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diary","tag-23"],"_links":{"self":[{"href":"https:\/\/fujimori.tokyo\/en\/wp-json\/wp\/v2\/posts\/1532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fujimori.tokyo\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fujimori.tokyo\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fujimori.tokyo\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/fujimori.tokyo\/en\/wp-json\/wp\/v2\/comments?post=1532"}],"version-history":[{"count":0,"href":"https:\/\/fujimori.tokyo\/en\/wp-json\/wp\/v2\/posts\/1532\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fujimori.tokyo\/en\/wp-json\/wp\/v2\/media\/1535"}],"wp:attachment":[{"href":"https:\/\/fujimori.tokyo\/en\/wp-json\/wp\/v2\/media?parent=1532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fujimori.tokyo\/en\/wp-json\/wp\/v2\/categories?post=1532"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fujimori.tokyo\/en\/wp-json\/wp\/v2\/tags?post=1532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}